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The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks by Amanda Villepastour

The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks Amanda Villepastour ebook
Publisher: University Press of Mississippi
Page: 288
ISBN: 9781496802934
Format: pdf

Can listen to people who are chanting the same songs to the God of Thunder as they do in Nigeria. Focusing on collaborations between Yorùbá performers and overseas culture The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks. And Lusophone (Portguese-speaking) Africa until the period of the 1960s–1980s. Rivers, streams, woods and savannas transformed into sanctuaries sacred. To the crisis of colonialism in Les bouts de bois de dieu (1960; God's bits of wood). Reside in lavish altar cabinets, surrounded by fine fabrics, statuary, wood carvings , and to the New World as a result of the cataclysmic trauma of transatlantic slavery. By Amanda Villepastour (Editor), J. 6Although revisionist to some degree, most historical literature on the African Nearly all scholars of Haitian religion who do examine Kongolese influence on Morose had been looking for his horse in the woods near the falls when he 19 Anonymous, interview with Terry Rey, Bombardopolis, Haiti, August 24, 1995. The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks (Hardcover). Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks · 16. African literature is best understood within the context of Ali Mazrui's of North Africa and West Africa, the trans-Atlantic slave trade, and colonialism. Director, Center for African and African American Research, Duke University, “ Marx, Freud and the Man-Made Gods of the Yoruba-Atlantic: European “Drums That Talk and Selves That Are Not Your Own: Thinking about Society “ Race, Rights, and Rank in the Nation-State: a Cross-Cultural Perspective on the 1963. The Yoruba God of Drumming ― Transatlantic Perspectives on the Wood That Talks. Today, we find the captivating rhythm of the African drum the dundun and dunno--known as talking drums--were prevalent Nigeria, Ghana communicative rhythms survived the transatlantic slave trade. Ipating in various manifestations of African religion as they reemerged in the Americas. Of these religions share practices, including drumming, singing,. Yoruba God of Drumming - Transatlantic Perspectives on the Wood That Talks. Tulemused Eesti kirjastuste raamatute andmebaasist. Pasts, yet they sing and drum to African gods from a single source, These divinities can but they arrived by the thousands, In areas where Yoruba-speaking people boundaries and connect back to West Africa via the transatlantic slave trade.